Cartotoplogies

projects; critical cartography; critical making

Cartotopologies asks how cartography might register extraction not as event, but as a spatial process whose effects endure, accumulate, and fold unevenly across a landscape. Reworking Mount Shasta’s contour lines into spatiotemporal rings (function analogously to tree rings), the project uses spatial reparameterization to redistribute uniform time through a differentiated space, rendering events as topological inscription rather than a historical point. Drawing on critical cartography, relational spatial theory, and debates on abstraction, the map treats landscape not as a stable surface to be represented, but as something continually produced through accumulation and resistance.